In his Critique of Cynical Reason, Peter Sloterdijk pursued an enlightenment of the Enlightenment in both its beginnings and the present. After God is dedicated to the theological enlightenment of theology. It ranges from the period when gods reigned, through the rule of the world-creator god to reveries about the godlike power of artificial intelligence. The path of this self-...(展开全部)

Who or what comes after God? In the wake of God, as the last fifty years of philosophy has shown, God comes back again, otherwise: Heidegger's last God, Levinas's God of Infinity, Derrida's and Caputo's tout autre, Marion's God without Being, Kearney's God who may be. Sharing the common problematic of the otherness of the Other, the essays in this volume represent considered ...(展开全部)

Who or what comes after God? In the wake of God, as the last fifty years of philosophy has shown, God comes back again, otherwise: Heidegger's last God, Levinas's God of Infinity, Derrida's and Caputo's tout autre, Marion's God without Being, Kearney's God who may be. Sharing the common problematic of the otherness of the Other, the essays in this volume represent considered ...(展开全部)

In his Critique of Cynical Reason, Peter Sloterdijk pursued an enlightenment of the Enlightenment in both its beginnings and the present. After God is dedicated to the theological enlightenment of theology. It ranges from the period when gods reigned, through the rule of the world-creator god to reveries about the godlike power of artificial intelligence. The path of this self-...(展开全部)

It has long been assumed that the more modern we become, the less religious we will be. Yet a recent resurrection in faith has challenged the certainty of this belief. In these original essays and interviews, leading hermeneutical philosophers and postmodern theorists John D. Caputo and Gianni Vattimo engage with each other's past and present work on the subject and reflect on ...(展开全部)

A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country's foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological seq...(展开全部)

简介：原作：@风的盛典原名：弑神“以它戏剧般的死亡来成就我成功般的堕落”

简介：【Stealing kisses from the god is my honor.】偷吻神明是我的荣幸@Tsuki_an 执笔2025/04/19一切私设勿上正主

神的游戏，就像是文字冒险游戏一样，神创造出文本背景设定，而可怜的主角只有可以使用的生命和回档

简介：入坑须知：本文不是结束，后面还有好几季。但都不会是温如华的故事了，也许会串一下角色。